In this scene of Luther, a British psychological crime drama following a detective, the protagonist is presented as in total control of the situation while he threatens another man over the telephone through the use of camera movements.
The camera first focusses on the character Ian. It is never stationary, giving the scene a shaky yet more realistic quality. This could signify the character’s nervousness and fear over the situation he is in, as a steady camera would give the implication of a more stable and confident state. When the camera cuts to Luther there is far less movement from the camera, signifying that he has more control and is less frightened than the man he begins to threaten.
A panning shot follows Luther as he walks away, meaning that the audience’s attention follows him. This indicates that he is a significant and powerful character. The panning continues as he enters the crowd, implying that he is gaining anonymity within it. This creates tension in the audience as well as the other character, as it supports his threat of an unanticipated and shocking attack.
A stationary shot tilted downwards to Luther on the escalator might signify insignificance as it downplays his height, though in this context it could also relate to his required secrecy after making a criminal threat. An upward tilt shot follows this, signifying power, and another stationary shot tilted down then shows Luther rising up the escalator. These shots juxtaposed connote the gain in power Luther is experiencing, as he is gaining height and elevation.
The scene finishes with a close up of Ian’s face, displaying his strong reaction of fear and panic, supporting the message of Luther achieving control.
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